I and art who is Japanese 　 　 　 　　 　　　 　　 　 　 　　 　 　 　　 　 　

　The person's originally seeing thinks that assumption, what feels something through it, and the entertainment with the art. As for the image of Japanese people's arts, because given information has been biased, seeing passes the work too much. A lot of people go to writer's old famous exhibition to see and there is being sure not to go for the exhibition of the unknown young man writer. It wants you to know there are various works, and I think the same age to want you to see the work of the writer who is alive comfortably more. I want to make the work that changes the fixed idea to the art that such a Japanese has even a little.

　I am expressing it by using the painting from the reason expressed easily because I am not terribly attached to the style and media though I stick to the quality of the expression. When thinking about the work as a way of my own way, the most important one is visual as the image. The visual is an image from various points, and it is what I have experienced up to now and information that has been seen, too. The theme is also variously different on each occasion. The one that I feel in the round is assumed to be a motif while such various information becomes complicated. It is own feelings, a part of own body it, the one of surroundings, an ordinary image buried in the society, and the root desire that man has, and it is a life and death. It doesn't become a work swelling the image from the visual source (magazine, photograph, and video, etc.) only by expressing it as said that visual only has to be extreme easily. Only an immediate work is unexpectedly trivial and difficult. I think that the entertainment is strong of the expression that sparks the imagination than an immediate expression. It is good at painting space and concept in the work and very pursues such an image with the engaging impact as visual ..whether to make established... It is necessary to think about the quality of the work by applying the persuasive power to the thing that has come out though the perfection as the work is an of course thing now. A basic classics technique and the material needed in expressing the painting are researched, and the quality as the painting is pursued.

　It can be said that media called a painting by all means when thinking about the work do not part from the head easily and the width of the expression narrows. It is large depending on the specific gravity of visual and the concept. However, be it not media but importance to transmit the work to the person very as an entertainment. In addition, when thinking, the idea as the Japanese who is my identity cannot be omitted. Therefore, it thinks what expression I dare to only have to do as a Japanese every day. A Japanese society today is mixes the culture in various countries and a chaotic society. I want to pursue the expression from among such by a Japanese aspect.

　When do the environment of the art that I had seen up to now or the study of the picture was started, the doubt also studied instinctively holding the yearning in oil paintings with the depth of the West as for anything. An old Japan painting and the animated cartoon were seen from nature, the textbook, and the television. It is from such an environment and I want to pursue the one that cervine cannot be expressed. It is visual up to now I that has been seen, and an image of the superficial, very light feeling that large majority has seen somewhere that is interested. I want to express a flat painting space that technically includes the space by using such an image. It is large depending on the influence of the current vague contemporary society.